Showing posts with label Design Kata. Show all posts
Showing posts with label Design Kata. Show all posts

Wednesday, October 26, 2011

A Stranger to Myself – Design Kata 3

The idea of ‘motion’ or nomadic life runs deep in our Indian culture. Our rivers travelling endlessly across the vast landscape giving life to the parched lands are personifications of goddesses (symbols of creativity), reincarnations (symbols of state transformations), the timeless whirl of bhikshus and monks wandering for alms (in exchange of advice and wisdom for better living), jhum cultivation obeying the rhythms of nature, clusters and settlements in steady flux of self organizing movements, sadhus (seers) and pilgrims, mobile fairs and haat bazzars (markets), itinerant pilgrims, performers, pastoralists, bards and tellers of myths all embody the notion of ‘motion’ all performing simultaneously on the thin veneer of our ancient but extremely flexible and adaptable ‘culture’.

No wonder South Asia is home to the world’s largest nomadic population always on ‘motion’. Nowhere else is there such a variety of people herded and ceaselessly moving in a self organizing manner giving rise to complex patterns nor can the diversity of peripatetic professions be matched.

Yet in our post modern times the sedimentary have increasingly come to represent the ‘civilized’. The mainstream (the sedentary) stands oblivious to the pull of the wanderers and the scribes and the worlds of the nomads have been circumcised’ to the odd curious enthusiasts. Little wonder, nomads are considered ‘strangers’ where ‘strangers’ in principle are ‘undesirable’ people.

And how does this ‘undesirable’ attitude surface? ‘Indifference’ is the shield used by ‘foreigners’ (the non nomads) when they meet nomads. Insensitive and aloof the foreigner seems deep down beyond the reaches of attacks and rejection that he nevertheless experiences with the vulnerability of a living and tortuous ‘medusa’.

Such a ‘medusa’ painfully brings on an ‘identity’ of ‘being’ something distinct from others with a fixed character of its own. What it fails to realize or let go is that our identity is changed in a nomadic style by the journey we undertake in life where both our ‘subjectivity’ and ‘objectivity’ towards ‘reality’ is recomposed and evolved. What we fail to realize or give up or let go is that in this transformation every step forward is a step backwards too. Without this necessary stepping back I can’t go forward. The migrant (nomad) is here and there too at the same time. The exile from the ‘nomad’ life can be deadening with the lack of ‘stretching’ and ‘folding’, which every movement entails. Such ‘stretching’ and ‘folding’ is nomadic symbolizing ‘movement’ that can be creative. It can also be an affliction but can also be a transfiguration. Whatever it might be it is a vital resource to create the necessary movement from ‘being’ to ‘becoming’.

If that is so what happens to my identity of ‘being’. My ‘being’ existence is actually non-existent. Is my identity not with ‘being’ but ‘becoming’? Do I live always on the edge of a frontier – a place for separation, transition and new articulation of a state that I haven’t seen or enjoyed before? In ‘becoming’ am I relieved of the odd task of constantly creating a boundary and jealously guarding it against attacks or rejection by constantly stepping back to cross or transgress it?   

I realize that I am stranger to my ‘becoming’ state. What would happen is not know to me. What I would do as a response is also not known to me. In the state of becoming I change myself physically, mentally and spiritually and nothing is known to me in advance or ever would.

What helps me do that? Obviously the mind which itself is ‘nomadic’. I can use it the way I would like in order to evolve, change, be creative and change the course of my destiny. I know the ‘why’ but I still remain a stranger to the ‘what’ and ‘how’ in any given moment in my movement.

This video link below shows how we integrate our right and left brains in real situations and how such integration leads to ‘becoming’ rather than ‘being’. Though I would always remain a stranger to that ‘becoming’ I refuse to remain a stranger to my present moment that informs my ‘becoming’.

http://www.ted.com/talks/iain_mcgilchrist_the_divided_brain.html

One thing I am sure of. Nomadic life – physically, mentally and spiritually – is usually the most gainful and risk free mode of survival as it allows freedom from the limitations of confined space and time created by the limitations of rational concepts, ideas and notions.

Living the life of a nomad is fun too since I would always remain a stranger to myself. It is a practice I love. Rightfully it is a Design Kata since it helps me to create what I want to. The practice is through meditation where both the right and the left are not only integrated but allowed to come into play simultaneously as a contextual response to real situations.

Would you like to join the fun of moving by being a stranger to yourself in the nomadic way?

Sunday, October 23, 2011

Stop Looking for Jobs!

As the old industrial world, big companies, despots, tyrants, dictators tumble and collapse along with the old mindset the question of finding traditional 'jobs' are becoming rarer by the day. The old model simply refuses to work any longer the way it worked. Governments are bankrupt both for money and ideas. The education system is churning out certificates that are virtually not worth it since the old institutions for which these were meant for now belong to the quickly vanishing tribe of "neo dinosaurs". Nothing new can be created in the old infertile soil. The old and familiar playground of jobs is now simply turning into a desert.

So with no new jobs being created and with the older jobs vanishing what is left?

What is still left is work and lot of good and meaningful work that fulfill local needs and local skills. Recently back from my holiday trip to the wonderful land of Rajasthan this is one story of a man who started a movement called 'barefoot college' in Rajasthan. My insights weren't any different from that of his. The nomadic life that underlines the character of the place is probably the most efficient and effective way to live in this world now.

 

 

What we probably need now other than such barefoot colleges is the creation of effective and efficient net-worked economy of micro enterprises.

During my holiday trip to Rajasthan, I saw hundreds of opportunities for work and earning that are not being presently tapped into for survival, sustenance and prosperity.

That simply too much of an opportunity to pass up!

Why not Design Think Micro Enterprises created by outliers of the society and turning them into strong profitable entrepreneurs with Design Kata being a way forward to groom up such a class of entrepreneurs.

It might simply change the ways by which we live and work. It might also change the world and our societies and our whole outlook towards life to lead more sustainable and coherent lives.

What do you think?

Tuesday, September 27, 2011

Rapidinnovation - See & Touch Invisible - DesignKata #2

The previous post dealt with the first Design Kata of keeping a journal in which a problem solver, innovator or design thinker keeps a record of the decisions taken and how one arrived at those decisions.

However, as we know the most important task for a problem solver or design thinker is to find a ‘why’ for an event, phenomenon or failure that takes place.

Keeping that in view Design Kata #2 deals with the practice of seeing and touching the invisible.

Why is that?

This is because answers to the ‘why’ of an event, phenomenon or failure lies in the understanding of the nature and quality of the interactions and interdependence of the elements that happen in a given space.

It is also clear that a) interdependence between things, b) the edges of interactions of such interdependent things and c) the transitions of states and relationships that take place of over time are physically invisible to the human eye.

Hence effective problem solving and design thinking is all about seeing and touching the invisible, without which cognition of a problem can’t even start. Admittedly, this is a difficult thing to practice.

And why is that?

It might be best understood by the visual representation, presented below

Rapid_innovation

Diagram 1

Most of the traditional problem solving methods, techniques and processes start with viewing the top events or failures that emerge and then somehow try to drill below this level to understand the patterns that cause them, which are then attacked to solve the problem. Some methods also try to drill down one step further to understand the systemic relationships at work and try to change the relationships in an effort to solve problems.

Rapidinnovation, so to say, is an inversion of the traditional processes of finding the ‘why’ to problems.

After understand

ing the 'form' of the emergence (events and failures) it straight away views the elements and the ‘empty’ spaces in between the elements that contain the ‘undesirable’ dynamics causing ‘system imperfections’. Such ‘system imperfections’ constantly give rise to a gamut of patterns causing various possible emergences to happen over a period of time.

So the journey starts at the bottom of the diagram by viewing the elements (form), assessing their interdependence (feelings), perceiving the interactions or dynamics (perception) that helps us to form context specific concepts of the existing and other inherent ‘imperfections’ in the system that create enabling ‘patterns’ for myriad events and transition states to emerge (context specific mental constructs). Such ‘mental constructs’ then help us ‘understand’ the observed emergences and transition states. This then enables us to act and design suitable ‘balancing relationships’ that help us to eliminate a range of undesirable emergences of events and transition states. In a future post we would discuss the monitoring of transition states, which in itself would be another DesignKata.

Clearly then, seeing and touching the ‘invisible’ is an inverted way of viewing emergent phenomenon, events, failures and transition states. We don’t try to find the ‘why’ by directly drilling down. We do so by ‘inverting’ our view point, which I call as having, the ‘right view’ of things.

So, to practice this DesignKata of seeing and touching the ‘invisible’ the practitioner is advised to apply the inverted right view of things to whatever one encounters in daily life that might be a matter of interest to the practitioner.

However, it depends on the ‘signals’ one is capable of perceiving. And surely there are many interesting emergences one comes across in daily life. It is the intention of the observer that would keep him/her alive in this practice.   

 That for me is the practice of 'enlightenment' in the 'here and now

 

Friday, September 23, 2011

Rapidinnovation -- The Journal - DesignKata #1

I believe that all problem solvers, innovators, design thinkers need to develop a suite of practices that enable them to perform better as time progress. "Design Kata" offers such a suite of practices that would help any problem solver to move towards better contextual understanding of any situation he/she faces if not attain greater wisdom and keener insights. 

As problem solvers and design thinkers we always take decisions. Our quality of decision making determines the quality of our performance in our field of work.

So, the first "design kata" that I recommend is to have a 'decision making journal'. Whenever, we take an important decision on some problem, it helps if we take care to write down in a journal what decision we took, how we arrived at those decisions and what is expected once the decisions are implemented.

We can also make note of how we felt physically and mentally while taking the decision.

Over time, a well kept journal, written in our own handwriting, would reveal patterns in our decision making style and process, which we can then modify and develop as desired for enhanced performance. And if need be we can then develop more patterns of thinking and practice them to see the outcomes they produce. In this manner both our repertoire of techniques and our confidence in our problem solving skill increase over time.

Such journals also help us keep a tab on the decisions we took for a specific problem. It would not only remind us to take a feedback of the effectiveness of implementing our proposed solutions but also record the benefits those solutions provided over a longer period of time. It helps us enhance our understanding of problems, improve our problem solving skills and increase the depth of our thinking.

Over the last 31 years my shelves are filled with more than 100 such journals that have kept track of my thinking process, styles, approaches I took to tackle thousands of problems in my field of application including my moods on specific days and how I felt during the process.

Looking back, I can clearly see at what point of time, my own signature style of solving problems emerged, which must be the goal of any problem solver or decision maker, i.e. to develop his/her own signature tune and learning over a period of time.

To my mind this is the number 1 Design kata a problem solver must initiate and practice.

How much do you agree on this?

 

Friday, August 12, 2011

Wow! Ride on the Edge?

An intriguing Koan to crack:

 

Ride your horse along the edge of a sword; hide yourself in the middle of flames.

 

What on earth does that mean?

Monday, August 1, 2011

CL - Design Kata

There was a recent and still on-going discussion on a Linkedin forum on "Pursue Design Kata" initiated by Paula Thornton, the owner of the Design Thinking group on Linkedin.

It tells very clearly what a 'kata' is. It is not a technique but a way of life for an organization to remain adaptive to constantly changing social and business environment.

In the video she refers to I wanted to portray this 'way of life' for an organization, which in this case shows a factory.

The case depicts the way in which people pursue a 'wicked problem' which in this case was that of a repetitive customer complaint. Wicked problems are not very easy to crack since these can't be defined and don't have very straightforward solutions or any single right answers.

Usually, in such cases industries try to resolve such problems by amending their 'check sheets' to include more inspections and precautions. Some of them would go a step further by simply reviewing and augmenting their existing systems without really finding out the real answers to the problem, which would generally call for a change in design -- of processes, products, design and existing practices much of which would be challenged especially the tacit assumptions that get woven into our daily work.

It is probably clear from viewing the video why finding answers to wicked problems, which every organization faces, are difficult to figure out. They are so because of the interdependent nature of various things that go into making and shipping of the products and services.The advantage of cracking such 'wicked' problem is enormous -- it opens up great opportunities to solve many problems and issues simulataneously.  I would like to compare solving such 'wicked' problems with the resonnance phenomenon -- we get the maximum work done for a small amount of effort.

Confidentiality terms prevent me from delving any deeper into this case. However, the educational intent and content, which form the worth of this video artifact have not been sacrificed or comprised with. Hopefully, it would not disappoint you in any way. Rather you may enjoy viewing a 'new way of life' in organizations that accept 'complexity' and 'chaos' as natural emergent phenomenon and visually determine the interactions between things and people that produce 'wicked' or 'vexing' problems so as to 'balance' their systems and continously amend their way of working for the benefit of the society at large. 

It helps organizations to be adaptive and innovative and at the same time helps them hone and maintain their creative leadership edge.

 

CL is the short form for Creative Leadership